I picked up a camera at the age of thirteen, and even then I felt there was far more to photography than pointing and shooting. Film making was not far behind, and I found both the making and the viewing of images are communication processes that connect us on a number of levels.
A deeper participatory dimension drives me and guides me on every picture, every movie I make; am I connecting to the subject? Am I sharing the story in a way the elicits the correct emotional response? Or any response at all?
Film making and portraiture can illuminate the more subtle, rich aspects of vision by paying attention to those elements in making a picture. It becomes convincing and even magical when an image becomes more real than reality.
My work, at its core, is the purposeful quest for magic.